Friday, February 28, 2020
Discussion Essay Example | Topics and Well Written Essays - 250 words - 47
Discussion - Essay Example Lastly, the system can be customized to meet consumerââ¬â¢s desires (X-cart, p. 1). My second choice cart is however, the CS-3 cart because of its beneficial features such as universal applicability to transaction on any size of website. It also has a user-friendly search engine besides its internalized content management features. The shopping cart can also be customized to meet customersââ¬â¢ changing preferences. The two carts are therefore user friendly and can be customized to meet specified consumersââ¬â¢ interests, features that identify their marketing impacts (Cs-cart, p. 1). My most preferred choices for security are ââ¬Å"avast internet security 7â⬠and ââ¬Å"Bidfinder total security suite 12â⬠(Pcmag, p. 1). I prefer the products because of their high ratings in countering different internet threats. They therefore guarantee a high level of security for a safe online commerce. I would however prefer Bidfinder total security suite 12 because it has higher ratings, a factors that identifies higher utility (Pcmag, p.
Wednesday, February 12, 2020
African cinema is a film world in search of a constituency and a Essay
African cinema is a film world in search of a constituency and a community, and it realises that it is potentially a borderless cinema - John Akomfrah (Givanni, 1995, 36) Discuss - Essay Example This is primarily the ground why J. Akomfrah claims that a sense of community and constituency are continuously yearned for by the borderless cinematic endeavor of an African film industry traditionally inclined to bring to exhibition various aspects of living especially the scenes at the wild, life under poverty, or tribal struggles across the vastness of an African land. The 1975 Algiers Charter on African Cinema placed emphasis on the need of the film to communicate the cultural identity of the people of Africa and develop this goal for the viewers to achieve a more sensible understanding of a Nigerian culture. New African cinematographers have come up with a serious objective of informing and educating the public, knowing how powerful a film is in delivering crucial expressions of African way of life in a simplified approach that may be comprehended by the majority whether educated or uneducated (The Algiers, 1975). In 1973, Djibril Diop Mambà ©ty directed ââ¬Å"Touki Boukiâ⬠which is a movie about the meeting of a cowherd Mory and a university student Anta who seem estranged to their places of origin, Senegal and Africa, that they decided to consider travelling to Paris for a change of fate though this would entail fraudulent job of satisfying a monetary requirement. One may particularly note the significance of adventure for an African life in this film yet the context from which it sheds light toward conflict resolution is different from the perspective of the film ââ¬Å"Yeelenâ⬠after the direction of Souleymane Cissà © in 1987. Yeelen demonstrates a personal conquest of a young warrior who possesses powers of magic and summons his other relative in combat against a sorcerer who happens to be his own father. Despite the amply differing themes of these two films, both reflect a necessary quest for settlement in favor of the situations that fit each character. On the other hand, Idrissa
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